The current sanctuary was reproduced in the nineteenth century. However, the astounding point is the cherishing god Maa Charchika on the iconographical perspective can be allocated to the ninth – tenth hundreds of years A.D. for example Bhaumakara rule in Orissa. It is accepted that the Charchika symbol was made by Parashurama.

The sanctuary has a pidha vimana, jagamohana and a wooden mandapa known as “sunyavahini mandapa” of ruined Kalingan request. Stone is utilized for the development of the sanctuary and the whole surface is thickly lime put and whitewashed. The roof of the mandapa is made of wood though the columns are in stone. The roof of the mandapa is bountifully cut and painted. The wooden roof of the mandpa is eased with scenes from Bhagavata Purana with the interceding beautification of creatures and birds like – elephant, duck, parrot, peacock, and so on; flower themes, lotus emblems, scroll and jali works, creature chasing, horse rider, gaja-fundamental as, makaramukha,mithuna and maithuna pictures. Moreover, the parsvadevata specialties revere four-equipped Chamunda, four-furnished Mahisasuramardini Durga and an eight-outfitted Chamunda on the north, west and southern side separately.

The Renuka waterway was reproduced by the surge of 1982. It’s accepted that one fan who revered Maa Charchika in the wake of satisfying her removed all decorations of Maa Charchika and fabricate a house where River Renuka is presently streaming. As Maa Charchika was unsettled so she made this River Renuka to rebuff him and to make him destitute. This sanctuary is arranged in the core of Banki. It’s acceptable to visit the sanctuary at the hour of Durga Puja, a Hindu celebration in the long stretch of October a large number of fans used to come to get the gift. Kumar Purnima a Hindu celebration praised 5 days after Dusshera is extremely well known here.