The sanctuary Kichakeswari Temple In Mayurbhanj Odisha, made of chlorite, is compositionally splendid and all around cut from its external surface. This sanctuary is perhaps the most amazing sanctuary of Kalinga design. The style of the sanctuary is contemporary of the Brahmeshwara and the Lingaraj sanctuaries of Bhubaneswar. Stature of the sanctuary is 100 feet (30 m) and complete territory is 1,764 square feet (163.9 m2).

The first sanctuary, Kichakeswari Temple In Mayurbhanj Odisha was fabricated some place in the seventh or the eighth extremely old and was not so great as it had fallen in hands of hoodlums. Nonetheless, the past and last leader of Princely State of Mayurbhanj, Maharaja Pratap Chandra Bhanj Deo was shocked of its state. He restored and recreated the sanctuary in the year 1934 spending an estimated measure of Rs. 85,000, taking consideration not to upset unique figures of Parasvadevatas, the Chaitya curves, the desirous couples, the parchment works and the arabesques, which can in any case be found in the first bits of the sanctuary.

Kichakeswari Temple In Mayurbhanj Odisha is comprised of dark chlorite which faces towards the east and comprises of rekha vimana and remains over a high foundation of 1.20 meters. The inside is single lives where the Goddess god is available and adored. The outsides of sanctuary is profoundly finished, with heavenly artists like nayakas, naga-nagin, Ganesha, Kirtimukha, Khakharamundi and other heavenly god and goddess. The tremendous columns etched with Nagin are extraordinary legacy of this temple.

Inside the complex, there is a very much saved block structure known as Itamundhi.

The Khiching Museum is the second most seasoned gallery in the province of Odisha.[4] During the hour of uncovering by the Archeological Survey of India in the year 1908 a few pictures of divine beings and goddesses were found including the pictures of Buddha. These are protected in an exhibition hall housed inside the sanctuary compound, which was developed by Maharaja Purna Chandra Bhanjdeo in the year 1922.

The gallery has the life-size exhumed icons of Durga, Ganesha, Parsvanatha, Tara, Parvati, Ardhanageswar, Vaishnavi, Nandi, Kartikeya, Avalokiteswar, Dhyani Buddha, Mahishasuramardini, Uma, Maheshwara, and female fans in plain view. The historical center has shows like the copper and iron executes, earthenware puppets, seals, adornments, ceramics, coins, stone instruments, and different parts of the sanctuaries. The patio of the historical center has a few etched pieces of old sanctuaries in plain view in open.

The presence of Buddha and Avalokiteśvara icons recommend, an excellent mixture of religion and culture. It reflects the refined strict resistance practiced by the rulers, as far back as in the tenth century AD.